Giving to suggestions to another person is like pitching in a baseball game. Some pitches are more dangerous to throw than others, and it is the dangerous pitches that require us to put these “spins” on them so that we can suggest them safely.
“Spins” can be delivered in a variety of ways: You may sets frames at the starting points of conversations so that your target will be more vulnerable to the suggestions you are giving them as you continue with the conversation, or these “spins” can serve as a diversion after your suggestions so that there is a distraction. Therefore the power of “spins” is rooted in the distraction methods that are talked about in the disguised forms of hypnosis.
Take poems for example: Poems are loaded with romantic suggestions, and sometimes these suggestions are risky for you to write to other people. So, by putting a “spin” on the poetry, you can reduce the risk of writing to them some of the suggestions that you are writing. This is even more crucial when you consider that no matter what you write to a person, they must on some level mentally process the words you have written. These “spins” are part of The Insurance Game that has its origins in Disguised Hypnosis.
Now, as soon as the person reads the poem and processes your suggestions and experiences them on a mental basis, you can then include a closing paragraph where you tell them that this poem they are reading was actually a poem that was written by one of your friends to another person that started a sizzling relationship. After this you can include other hypnotic suggestions that will link the person whom your friend wrote the poem to with the person who is currently reading the poem. This is referred to as “stacking” suggestions on top on the spin.
The goal of the spin is to get you off the hook should any objections arise to the suggestions that you loaded into the poetry. If, for example, the person would get uncomfortable with what you said, you can easily remind them that you were only telling them of something your friend once wrote. This “spin” will not only guarantee that the person whom you are writing to be comfortable with experiencing the emotions that are loaded into the poetry, but also that they cannot object to anything that you are saying.
Another way to use “hypnotic spins” is to simply talk about an entirely different topic after you write the poem. This serves as sort of a distraction strategy that will give the person you are writing the poem to a way out if they are uncomfortable with anything you said in the poem. But, even if they were uncomfortable with the poem, they still must mentally process the poem and they still have the choice to respond to the pieces of the letter that were not romantic.
So, even though your target has thought about everything you commanded them to think about, they still have the opportunity to respond to the “spin” and not the romantic poem as a way of an artificial escape.
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